t indeed so poor. How are we to account for the fact that we remember him as a great poet and find him on opening his pages a bad one? The explanation seems to be that he was not a "pure poet." He did not concentrate his meaning in a small space; there is nothing in Shelley's poetry as rich and compact as the odes of Keats. His taste could be sentimental; he had all the vices of the album makers; he was unreal, strained,
childrens uggs, verbose. The lines which Professor Peck quotes with admiration: "Good night? No, love! The night is ill,
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ugg boots clearance triplet, EPIPSYCHIDION or PROMETHEUS UNBOUND, where the faults have space to lose themselves, we again become convinced of his greatness. And here again we are confronted by a difficulty. For if we were asked to extract the teaching from these poems we should be at a loss. We can hardly say what reform in "politics, society and government" they advocate. Their greatness seems to lie in nothing so definite as a philosophy, in nothing so pure as perfection of expression. It lies rather in a state of being. We come through skeins of clouds and gusts of whirlwind out into a space of pure calm, of intense and windless serenity. Deyilai：
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