to the New York Stock Exchange

U.S. Labor Department report shows that by the auto industry layoffs ,polo ralph lauren, initial claims for unemployment benefits last week, the United States increased by 3.2 million to $ 63.7 million since mid-April maximum number. Meanwhile , the government continuously receiving unemployment benefits climbed to number 656 million , a record high.



NEW YORK,moncler femme, May 14 (Reporter willow ) further thawing in credit markets inspired investors ,louboutin, and poor employment report offset the adverse effects of the three major New York Stock Exchange 14 index ended higher .

day, the British Bankers Association reported that three-month U.S. dollar London interbank overnight lending rates fell nearly 3 basis points to 0.85% , the biggest decline in eight weeks the highest level , that countries governments and central banks have taken measures to unfreeze credit markets is showing signs of play . Affected by Fifth Third Bank and other financial stocks led the broader market promotion .
in the financial and technology stocks led the major indexes generally rose , but the increase has been the impact of weak employment data .
In addition, the world's second largest computer software company CA's large -than-expected results pleased investors , money back technology stocks,abercrombie, the tech -heavy Nasdaq index of outstanding performance .
to the New York Stock Exchange, the Dow Jones Industrial Average index over the previous trading day up 46.43 points to close at 8331.32 points, or 0.56% . Standard & Poor's 500 index rose 9.15 points to close at 893.07 points, or 1.04%. The Nasdaq composite index rose 25.02 points to close at 1689.21 points,doudoune moncler, or 1.50% .

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1.95 billion U.S. dollars

at present

Chinese network news


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."

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