only to find nothing left.

let me say goodbye to you
not tell you where good, just feel very at ease with you. You may be the relationship between big I was thirteen it. You have many things to attract me, you do a better man. You never lie to me,moncler pas cher, you always make me sad frankness. You say you love me, but do not love me. You have passed the age of impulse. You awake, you can take to close,moncler, do you know when you are let go to get affordable. I know they are playing with fire, does not matter, now I do not lightly loved ones are rare. I willingly, because you and I is sensitivity. But I did not think had chosen to leave your girlfriend will come back. The day she came back, you told me, but I naive to think that you will not be together, and does not think much. Early morning until the day your phone ringing off the hook, I understand why you do not take me to your house to play. I know, the original still has a woman waiting for you to go home.



so a weekend, I shut myself at home. CD drive in again and again heard the voice of sorrow Xu Ruyun. It has no energy. there are too many memories choked breath. love me no place to drop your heart,louboutin, if you can Feiyanzoubi find you, love the grievances do not clarify, as long as you hold me. If the clouds know, like your Night Man Manao. each had second thoughts, shouting over each second, only to find life constantly burning. If the clouds know, can not escape entanglement in prison, every heartache over one second, every time awoke crying over a seconds left heart in the begging, you do not know. out, crying out in my mind --- If clouds know ... ... a full four hours. Unfortunately, the clouds, do not know. Broke our hearts the feeling that looking back now still makes me sad.
from acquaintance to you I now have four months. Often ask myself these days passes in the end or happy! Have fun, have crazy,abercrombie & fitch, but are in the drunken state. So sober, only to find nothing left.
sitting in a bar, hair toss, faint smell of your cologne fragrance body. Seems to be absent, gentle around me. The same as if you were by my side. I remember one time I said that like the taste,abercrombie and fitch, you are actually in your car for nearly half a bottle of spray cologne. At the time you do a good crazy, middle of the night drinking wine with me for a drive, to open a good sound good sound big, yellow line on the left of the road running and singing I never doubt your technique, I know, the more you drink, the more stable car ... ... I do not know since when, this comfortable feeling was gone. I still go to you about, but I still can not be happy. I would like, and then the woman free and easy, once paid the true feelings, but also become the sentimental. If you did not know you, now would not the case.
you and me very happy. I do not blame you of selfish, because I am selfish. I just want to really be able to bring you and others do not feel the same. Think this is a love. I laugh myself silly. 相关的主题文章：


但目前正好相反

was the hope and strength.

孩子的快乐就是我们的幸福


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."