head for the time for me

Editor's note: young time, always in the eyes of a turn becomes the past, but memories are still clear. One afternoon, after clearing away the dishes, listening to familiar music gradually fall asleep. Remember years ago as a result of a scenario, it is an afternoon, a sunny summer afternoon. I was probably still in sixth grade it, still living without the demolition of the old house, I lay on the bamboo bed on top of sleep than it is now at ease, feeling very comfortable. Perhaps, then did not own so much trouble right now! Oh!
So as a flood of memories like a dam gate, a vent out, can not stop. Had no trace of sleep, then got up and came to the front of the computer,moncler homme, those dusty pieces of the past 11 years.
Our factory has a basketball court before the cinema, on the basketball court next to the accumulation of discarded containers. Partners to all our small shuttle which is selected in which a piece of
cinema has a small shop there, we have nothing to even a few small partners from drilled into the iron gate, the stuff inside looted, indeed, had a handful of Liangshan heroes of addiction. But wait until the next day at school,doudoune moncler, I saw her old standing in front of the school principal, one side is the last of several Predictably, the father returned home naturally escape the
a lens is the way to school in the afternoon, walking in the street, head for the time for me, towering trees, dense piece attached to one. When the afternoon sun shines on the leaves, and then reveals a gap between the leaves have been shed next to my shoulder, feeling very good, very comfortable, I feel like I care of the elderly generally. Up to now I have not had the sun shines on the body, and that wonderful feeling, I do not know is not now the sun has become a bit Oh!
thought of my elementary school, I think of those all day with slapstick, playful, naughty brothers. Reminds us to turn to the factory walls, take some iron to change money playing video games; think of the junior partner of the bag thrown on the roof,doudoune moncler pas cher, and then gloat at each other to pick up the way; thought of in a empty when the lunch break,abercrombie & fitch, talk with girls like. Oh! At that time we seemed premature it! But now think about it, then maybe just kind of very dim, very pure goodwill nothing, perhaps it simply does not like it! So now I understand it is kind of similar to the affection of friendship, I hope our friendship forever!
Naturally, I will think of Long Beach,polo ralph lauren homme, think of a better period of years, bringing the memory of it!
and my dear girl, maybe we're old, our story, we have experienced years, will also be past it! Oh! Then I will gently hold your little hand pair of brown, watching your face wrinkles, as well as out of the front teeth, will you pour into the arms, with recall ... ... ... ...相关的主题文章：


sometimes it is really uncertain people

降息空间趋小 全球降息潮渐退

美国日本新加坡都曾进行全民派红


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."