with a white dress

Editor's Note: Based on the recollections of clothes, decorate their hearts. To a simple jump mind most vividly in the ink. Enjoyed. Finally wish happiness, joy! Finally a little warm atmosphere. Also had to wear that white thin cotton, find winter home,moncler pas cher, a lot of fat. Had too much clothing, even a little crowded. Worth mentioning, if the living can not eat eat, and do want to do that, what else can make it? Besides the need for it in summer in summer, winter vacation this year anyway, a few of the students also can not see.
white coat, like a lot of memories. The first to wear it a year ago, the first time this year to wear it, they encounter a crash. It was really dizzy heavy, down only when the thought is: how has it today, wear clothing with this,abercrombie, so hard to wash ah? Later, even just keep climbing up. Early winter, cold campus, or few people, so the way to handle it, to the classroom or even the first, a little surprised. Fortunately it is not difficult to deal with clothes, while the status of other people do not care about the General Assembly. People always tend to be afraid of their people see the bad side, in fact, most people pay attention to the good side of it. So, sit back and relax after class, and casually said to the students to do crash, drawing a burst of sighs. Someone asked how things always said nothing can be actually painful death. Fall festival crash scars and scars cross echoes the pain a bit strange. But now, look at those scars are a lot of light, but the festival's injury was so deep, like always reluctant to step back. Uncle and mother have lamented that you can not wear a skirt, I always dismissed the question of how to wear. There are only traces of scars, deep, shallow, are their own.
with a white dress, the same as with my favorite out of the campus. Although the fear of dirty, dirty as it can be hidden in it. Profile for that day, that time frantically to the self-study. Morning at eight, had been driven out from the classroom, down the stairs when it came to two students, one black and one white. The rise of pride down the stairs, heard some praise of the English language, English original feel is useful, at least know they are being praised for. But still did not understand installation, went downstairs. For foreigners, I really do not know how to take the initiative to deal with. The first is a language problem, since coming to China, I think it should solve the problem in Chinese, not like groupies to talk about their general language and forget. I remember the summer in Beijing, that a subway, etc., encounter a foreigner. Parents, daughter, and so on for a long time, with a car. I never mouth greetings, just smile, because in hesitation,doudoune moncler, in the end is in Chinese or English, in order to respect them, I naturally use English, but this is among the land, seems to have respect for their language. Has been not to speak, often freely their opinion, found that the father seems to be thinking about what to say, finally became the world's eyes and smile on the true universal language. Finally, they arrived and, before leaving, whispered a sentence: Good-bye. Stiff manner, I repeated. Think this is probably the best ending it, the use of language, has always been a problem. However, his eyes I remember the collision. I remember,abercrombie & fitch, they also forget it, who will remember that smile of a stranger people?
Speaking of summer, think of their temporary home before finishing this semester clothing. Roll out the summer clothes,chaussure louboutin pas cher, almost only one color: white. A variety of white, as well as a left lying in a corner of Beijing. There is a little red in the water to accept the most red and a blue light blue. With a collar of white clothes, very transparent, very like the fall to buy the black riding products. I remember the black riding clothes like they are only concerned with one-piece summer. Because winter coat, all cast a dark gray color. A little melancholy color, do not like. But on white clothes, or the most memorable pieces of white winter coat, because the very dirt, often carefully cleaned, and a wash is two hours. Winter water temperature can not say that it has that kind of summer, a huge project always makes clear the memory, so just when we should be painstakingly wash, not to mention there are so many bright days on the white clothes glide, from time to time left some traces. Not long ago in the morning, not because of laziness in 7:00 in his brother's call in time together, that the above has left a brother naughty designated marker pen marks under, and good handling time, just turn the tide, but there are still traces. Toilet water with a small bottle, it just above the traces to the distance light can not see it, in his view, it is a bit. Because they knew that it existed.
seems faster than over the winter, but also the summer of. Perhaps the summer, or those plain clothes, maybe they have more partners.相关的主题文章：


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."