where sober tonight

joys and sorrows, fall between the situation; looked up, like lingering. Ask a long question! The vast horizon road, why it always wasted?

searching through a dream in every corner of instant exposure, since their structures with these fragments of the sky, the colorful autumn laden with their own names, but also to pick your hearty, you gain, you the breadth of rich,abercrombie, when the promised fruits of the earth: through the winter, summer impetuous digestion. Thus, akishimo disseminated, he put on red clothes to Castle Peak, the cheek revealed Johnson Maple Leaf Charm. Thus, we wish each other on the day! Embracing life in this highly enjoyable autumn, with your tolerance thick, rich character and dedication, to sentiment, to eulogize, to commitment, to harvest. Then,moncler pas cher, holding hands through the coming winter.
tonight, coldest month windows were full of Insomnia, late at night, the bamboo wind knocked Autumn Melody.



has been always seen as the most romantic autumn season, perhaps life has inextricably Autumn season Autumn and the feelings, so always look for something in this season,polo ralph lauren homme, hope something, even meet each character will be ejected wonderful flavor.
Willow shore, Xiaofeng moonlight. , rainy night stay cool shoe my toes, yoke Wu true.
autumn tight, overnight cold call Xiao Chen Yu-frequency leakage of days. Heavy dark curtain, cold night filled the air, the dream turned provoke panic. Qiu Chan Han Ming with the wind and rain, the sound flutter Liu Shao chirp cry.
miss! Bing wants to change themselves into the hands of a good that the erhu, wandering carrying melodious tunes, listen to piano long,doudoune pas cher, packed up to go down the street, blowing autumn wind blowing my green sleeves, looking for Concert, I heard humming a look back, the style of life of the ribbon, then released into the atmosphere of the melody, in every station of life bursting out quietly dazzling sparks,


where sober tonight? Until snow or rain, in the white wilderness, and once again lit a fire! Ignite our passion and recollection of the fall!
said: Fengguowuhen, I do not know why, but that mark is printed deep in the heart. Amid Qingsi like Kongkuo the infinite sky, scattered among the shore Xiaofeng moon.



Miss my mother! I do not know my mother in heaven, right? Full moon, when her daughter's heart is difficult round, clear autumn is coming! Weather is cold! Daughter feels cold, tearful, lonely confusion, Xianghun Yulu, tears have! May miserable desolate empty building, and forbearance to go,abercrombie paris! Sparse bear down weeping soul.


a sigh? Is lingering? Decadent? Is confused? Burning? Romantic?
quiet autumn night, walking in the clouds between the crescent crescent can be aware of? Heart to send cool autumn months, wants to put Moon everywhere love, melancholy desolately, but since the tears pour, but that autumn leaves scattered fragments of my soul?





the ground in late autumn it! How can I pick up leaves in your portrait! How to write your hand touching the red memo!
miss! Miss you from afar! In this cold evening, I think about tomorrow or the hot season, how to use your body to comfort a cold heart, with your hand, in the rain is falling, spent the autumn night long.
looked through wind and rain off the window clear and bright pear, reading is still done Nanke return, a boat had to do the Millennium, who will chill into the poem? Mind the waves of the World, the three little knowledge Qingchou hair on the temples, bustling five thousand wet dreams. Person is not thrush, cold moon long days. 相关的主题文章：


while the body side of the Meidai shallow

　　原油冲击60美元 引领商品大涨

I question this life we can meet up heaven


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."