Editor's note

Editor's note: It is the Chinese people will say: fellow, two tears. Said about the fellow's family, the warmth of nostalgia. But now the market with: fellow behind the open shot to say, people think the changes in morals, shudder. This fellow authors write, is the former. Hakka native simple, make the artists feel the warmth of nostalgia. My mother is Hakka, the father of Guangzhou, he drifting, over 21 years of barracks life. I was born and raised in the mother house, on all the good memories of childhood in the eastern part of the Township in all, therefore,moncler homme, the mother has a particularly deep house - thick feelings. Over many years, whenever people ask: That high school diploma on the origin, I fill are: Guangdong Xingning. Birth father this long period of time of the gas.
Hakka bones deep feelings, let me hear the sound felt kind of Hakka, Hakka people could not help but came to see the cotton, engaged in small talk. Therefore, the mother left the house 32 years, I did indeed encounter a lot of Hakka countryman. The local people, some playing according to a surface; Serve passer-by, and some day meet, friendship pale; some harm to others and enrich themselves, no letter no meaning; some do, met long-lost, but Wife Yichang .
any good, I must mention the fellow. We met in the summer of 2006, that year, his son in elementary school, need to buy a house, so we went into the Central Plains real estate.
greeted us was a tall, thin and black young man, his passion talkative,polo ralph lauren pas cher, words sincere, frank, and his Mandarin accent, with a strong Ning. So, I tried to ask, he said he really Xingning people. I'll cheer up, it's not much benefit I hope to buy a house, but it is another encounter of a countryman. We suddenly narrowed the distance.
graduate work, he said only a few months, the real estate line bitter, tired, but he is willing to accept the challenge. Property line is black, there are unspoken rules, and he an innocent ... he is very hard to help me pick the room, talk about the price, although suffered a little during the ups and downs, but with his wisdom and patience to a good solution.
We are fortunate, before his son to school, buy a house in a timely manner. Also very grateful, Blissful Encounter of a dedicated, honest fellow.
, we are busy with their own, rarely met. In the meantime, he smoked two back empty, carrying gifts to peek at us. And we had very sorry.
life day by day in the past, unconsciously,abercrombie and fitch, we have steadily lived nearly four years. Love could not help himself, forcing us to move rooms. Naturally, I thought of how good. But a little apprehension,polo ralph lauren homme, after all, seen more than two years, and things such as chess, people thought floating Moreover, if now he has to do real estate, it should be Laojiang Hu, simple faith can ever debut at it? My heart is really not the end. With luck
psychological, I tried to call the number rang dust for a long time.

When we meet again, I found that just two years, his forehead after the hair has been moved, I know, this is life, this is the pressure. He is still tall, dark and thin, still talkative, energetic, but more mature and stable. He has a managerial level, he said, very fond of this line, though bitter tired. Four years later, he was still an innocence, free from contamination.
critical. Soon, not how much it cost God, we live in a cheap new home. Relatives and friends are envious,abercrombie paris, even jealous. I think this is God favors me, I come across any good.
fellow behind the shot fired, although some villagers have hurt people meet on the heart-breaking, but what good is not the same, he really has a warm heart, in the materialistic, secular moral failure, people feel accent close to the warmth and nostalgia.相关的主题文章：


to make people live longer.

怎么好意思寄出那封信啊

情贵以专


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."