intoxicating mood

Editor's note: the article has a limp walk tempting affective, stretches a long, graceful and delicate. Writing is good, mind sees flying, but the content is slightly less. Greetings! Come on! Often far-fetched to write down, do not know which direction to move closer, do not know how long he wrote, everything blossoms only.
so slowly move forward step by step, not the destination, it is no longer trials and hardships, sunset sky, piercing the sky, watching day and night to chase butterflies, bees, bound in a league ground with tempting loving, playfulness into play , to arouse the floating screen, brought back pack of a joke. Group not applied Prostitute, the woman is the same color clothes together and line the footpath on the elegant flowers, light footsteps, laughter lingering about pedestrians look askance at a bustling to provoke envy.
wanted,abercrombie and fitch france, nor asked others to Shining eyes are an extension of poetry or acquisitiveness, he argued, to a pious belief reciprocity, I want more than just happy it!
lived in my heart an angel in my life there have been a happy person - the word small. She is the dawn of the first wipe in the sun, warm and comfortable; she was a long silence after the first unit power, Ganai, dare to hate; her years of brewing wine, the more goods, more sweet ... ... thousands of expression in one, she My mouth is a small woman, goodness, and beauty, Futuresoft.
long way to go then, suddenly started to miss on you indulge in singing. Can not find the tone, but with days to make freely diffuse, but so happy circle linger. Thus, it fostered a called Oh, Laoding, I know you certainly do not mind. Because deep down you are free with ######, and if that is your disguise serious, then humor is your nature. You do not like jasper as submissive, do not like fairy-like other-worldly air, you fall into the mundane world of glowing pearl, no matter where are dazzling, brilliant.
Moonlight,doudoune moncler pas cher, I want to fly a sky lantern, for you my deep and shallow, filled with blessings.
throne, come and gone, like water flow in the War who fondle zither strings sing gentle songs, who is dressed in her dancing Seduction waistline?
you - I subconsciously
riffraff seedlings classified as pink color of your class woman, pure and elegant, simple clarity. And you say a man is not only the surface, deep down you are more willing to do a ruffian, with Jieao eyes disdain for human good. I laughed, because your candid and seedlings that called riffraff nickname was born.
Now, I would like to tell you, is a humorous ridicule is also a whisper whisper, the earth there are too many disputes, too much exertion. Dawn gentle, intoxicating mood,Christian Louboutin pas cher, Phoenix branches, singing Song of, ponder over and over again, leisurely trip. I do not want thunder and lightning, you want to fly dancing, exchange a smile with tears also hideous face,doudoune moncler, perfectly clear water, polluted the original mood. I prefer Seiran in the rain in time to see your sunny smile. As gossamer touch of warmth will be a camel to walk in my body, I melt the extra distractions, bring a knowing satisfaction.
and I,doudoune pas cher, is very easy to meet people. Life have you met with was not easy, but Sanshengyouxing walk hand in hand, let us cherish each other, edge to edge to the emotions.相关的主题文章：


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."