unrequited love demo

[2vt8c2p4]

My new favorite past -nan ,franklin marshall pas cher
steep

soul
I will only give her good love you too crazy

unrequited love demo
Super sad eyes of the ambiguous
screen name
Do not look back
Shengruxiahua the enchanting
subconscious haunting
crush the toilet sister
sing you love songs
I know what to doづ
boundary
constantly pushing the Red
never thought of loveヘterminal
Yen
step ,football chaussures, half laughing One would like to play with old
Variable injury

love to say goodbye
desolate best memory
Please give me a hug
even though i hate Melancholy
ridiculous leopard woman with lace

ridiculous for you to pay woman

stop

injury addiction ζ °
a blank
regret oath
difficult to glabella
just want to wipe away Yen
the heart is dependent on your lonely cry

you send letters to the memories of old love
90
obsession after Germany ┈ Capital
いsay goodbye
pain can be placed separately

we do not have to fend for themselves

read
→ Floral offal seems like
Since the wave that is as deep as the bone marrow

sentence selfish imagination
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LOS ANGELES - So much for the 2011 Toronto International Film Festival being a slow one for sales. After almost a week of slugging activity on the acquisition front, a slew of announcements came out on Wednesday.
In the last one of the day, Cohen MediaGroup bought U.S. rights to Luc Besson's "The Lady," with its awards-potential performances from Michelle Yeoh and David Thewlis.
Prior to that, IFC added Lynne Shelton's "Your Sister's Sister" and Abel Ferrara's "4:44 Last Day on Earth" to a TIFF slate that already included "The Incident."
Earlier in the day, Oscilloscope acquired North American distribution for Andrea Arnold's "Wuthering Heights," while Palisades Tartan acquired the rights to Jafar Panahi's and Mojtaba Mirtahmasb's "This Is Not a Film," which was covertly filmed after Panahi was arrested and barred from making films by the Iranian government.
MPI Media Group picked up "Yelling to the Sky," with Gabourey Sidibe and Zoe Kravitz. When it comes to public screenings, most of the highest-profile films have already debuted. Wednesday saw the first public TIFF screenings of the Duplass brothers' "Jeff, Who Lives at Home," which has been well-received, as well as Joel Schumacher's "Trespass," Julia Leigh's "Sleeping Beauty" and Canadian director Ken Scott's "Starbuck."
In some ways, Steve McQueen's ######ually explicit "Shame" continues to be the talk of the festival, prompting a spirited Twitter exchange on Wednesday between pundits David Poland, Kris Tapley, Scott Feinberg, Brad Brevet and Garth Franklin over whether the film implies that the brother and sister played by Michael Fassbender and Carey Mulligan ever had ######.
Another "Shame" note: Anthony Kaufman reported that a female patron sitting in front of him passed out during a graphic scene (but not a ######ual one) late in the movie.
"I can't imagine Fox Searchlight, the company that announced its acquisition of the film over the weekend, were aware that the film could make viewers pass out," wrote Kaufman at indieWIRE. "Let's hope it doesn't stop them from mounting a vigorous release of this stunning film."
Searchlight executives probably had a flashback at the "Shame" screening, since they experienced so many faintings with "127 Hours" last year that the sideshow threatened to take away attention from the quality of the film. But they should be safer this time around; "Shame" seems likely to prompt lots of controversy, but not many fainters.
According to indieWIRE's criticWIRE feature, incidentally, "Shame" has received the most positive reviews of any film in Toronto. The site tallies letter grades from dozens of critics and will publish a full rundown of TIFF grades at the end of the festival - but now that the festival is in the homestretch, they've published a preview of which films are doing best, and Peter Knegt says that "Shame" is at the top of the list.