At any point during the conception of your written material,
franklin et marshall, you can brainstorm words or phrases that your audience uses and will likely respond to. I call this "learning their language." What this is, essentially, is imitation. Remember when you were a little kid playing make-believe? (okay,
polo ralph lauren pas cher, maybe you don't--but I do!) Play make-believe now. To warm up,
polo ralph lauren pas cher, read some existing material that relates to your target group. Next, sit in a quiet spot and pretend you ARE your key customer. Write out a list of their expressions. I wrote web copy for a high-end caterer last month. To get my thoughts flowing, I made a list of words. "Sophistication, delectable, tasteful, elegant" so on and so forth. When I was done thinking of as many different words as possible, I was ready to inject them into my copy. Replace lackluster words with more zippy ones. But use your adjectives and adverbs sparingly! There's such a thing as copy overkill, and it will make you look like an amateur.
To those that think advertising is an easy or slap-dash process: not true at all! The greatest ads are a perfect fusion of three very different modes of thought, expertly combined and presented in a powerfully compelling and persuasive package. Realize this, and you're on the way to creating magical ad copy; the kind that sells,
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It doesn't matter which part you address when. You can write out a first draft and then go back and insert the missing aspects, or you can craft your copy piece by piece and then put it all together at the end. For the most part, I tend to piece together my message, but you can work however you'd like.
When I write copy for my advertising clients, I always check to make sure the three key elements are in place. 1. psychology, 2. logic, and 3. creativity. These are three very different aspects of ad writing, which, when combined,
franklin and marshall, produce a highly effective message. Master the technique of each, and create ads that really sell!
Action. Finally, tell your audience what to do. Buy Now,
franklin marshall! Cick here and save! It's amazing what just a quick directive will do.
The next key feature of your message should be logic. By logic, I'm referring to how you order the words and sentences in your message to make your point. A good writer knows to craft his message in an outline form- with the first paragraph driven by a main idea, and supporting sentences following that premise. Each paragraph should reinforce what's been said in the main paragraph. This is basic English, and it's the key to crafting a solid argument. You should be able to convert your sentences to bullet points if you had to- with each bullet logically supporting a main concept. In fact, you may even want to use bullets, as they're a quick way to sum up the benefits of what you sell with no extra words to dilute the impact of what you say.
Attention: Capture your audience's attention right away,
polo ralph lauren, with a riveting photo and headline. Exceptional ads showcase headlines and images that work together. (Read more about this in the paragraph about creativity.)
Advertising wouldn't be advertising without psychology. How else would you persuade or convince people that your product is outstanding in its category? What other way is there to go about creating a need for what you sell? Persuasion relies on emotional appeal, and emotions are driven by our psychological make-up. A long time ago, someone thought up the AIDA method, which is good enough to serve my purpose in explaining the psychology of advertising. It's really very simple. A.I.D.A. Attention, Interest, Desire, Action.
Finally, creativity is what will give your ad presentation that POW, and your copy that extra sparkle that makes it interesting to read. Earlier, I mentioned headlines and images that work together conceptually. What I mean by this is a play on words that's reinforced by an image. This is the stuff of amazing advertising, the kind that brings home a Cleo or an Addy award! Think of those incredibly powerful Nike ads: Just Do It. Tell you customer something they won't forget, and use a dramatic photo to cement your message into their brains. Map out your long-term campaign,
polo ralph lauren, if you plan on having one, following the same creative concept in each ad. This is brand-building at its finest!
No matter how you approach the creation process, the most powerful ads require that each of these key elements are in place. Again: you can implement them in any order. When you're ready to bring it all together, take a good, hard look at your finished draft. Go through it with a fine-tooth comb. Get a couple of outside opinions. Step away, for a little while, and then go back to it when you've cleared your mind. Make your changes, then give it a final once-over. Your final presentation should be error-free and perfect in every way!
Desire. Make them want what you have. Pose your product as the solution to the aforementioned problem. Build your case with examples, or even testimonials.
Copyright 2005 Dina Giolitto. All rights reserved.
Infuse creativity into your written message. Write in a clever and/or amusing way, and make your ad stand out from the crowd. Use a tone that's appropriate to your audience. Choose words that belong to that particular genre.
Dina Giolitto is a New-Jersey based Copywriting Consultant with nine years' industry experience. Her current focus is web content and web marketing for a multitude of products and services although the bulk of her experience lies in retail for big-name companies like Toys"R"Us. Visit http://www.wordfeeder.com for rates and samples.
Interest: If you wrote a good headline, likely they'll be intrigued and continue reading. Your ad copy is where you can isolate a fear, problem, concern or need of theirs. Then go right into:
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