do not miss this season apart

Editor's note: miss, is a sad song, miss, is a poignant picture, is at heart deeply miss expectations,doudoune, thoughts lost heart lake, haggard and Iraqis ... ... write down thoughts the subject, the heart will be wet Half ... ...

thoughts,louboutin, such as a ray of endless curl of smoke, down in his writings when there is always accompanied by the slightest of sweet and sad! Yes, miss, is a poetic beauty of the topic, however, to savor, more often it is hopeless and sour.

bustling dim, scattered at the end of spring, like a never-ending but unspeakable Rearranging - Spring trace, with no love, Acacia, but same applies spring grass groaning, search, and that far figure in the horizon - no regrets no grudges. Early summer, those similar emotions, really original, along memory lane,polo ralph lauren homme, in the hot sun moxibustion eye contact when flooded.

Yes, do not miss this season apart, perhaps, sometimes there will be shades of shades of expression, such as the warm spring, hot summer, autumn and poetic, deep winter; are subject to different Kingdoms only; in love with, thinking it will change slightly as the season of ups and downs. How many times the situation does not still have complaints to make meaning, how many times hilarious do not regret the death oath, just like, just want to, love you, love you, happiness and pain in the edge, feeling and writing with, for life vivid and value.

miss, is a sad song; I think of you, you think of me,ralph lauren pas cher, tears in their eyes relative, but yet so far away; you know, in my mind's frustration and blame? Stubbornly, Buyiburao to blame; heart, such as twilight wild weeds, unscrupulous soaring; only you warm and firm embrace, in order to harvest. Would also like ah, can severely throw your behind, for punishment; just your eyes, why have no choice? Often think, let me feel bad,louboutin pas cher, tears again and again.

miss, is a poignant picture; thousands of people, why do we have now met? Thousands of miles away, you sound Qinghuan, if the test of my will; then suddenly look back, rather like the pre-existence why meet? - Love, was originally just an instant thing; but why? But only in your heart, in a dream, in the clouds?
miss, after a ten pavilion farewell hope, is ecstasy to melancholy feel wrong, of anxiety, and joy.
... ...
dear, let me look at you, then look at you; you see it? Pear vortex smile, graceful manner, laying the way from me to you; unconsciously, but tears like water, spread in bottom of my heart! I finally accept their fate: miss, such as a ray of endless curl of smoke, began in sight, but there is no end ... ...相关的主题文章：


并且美联储指出

Zhuzhou Liang

the other hand


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."