1894 年 6 26, the island in Russia Kete Lin family of a military engineer, a 名叫彼得列昂尼多维 Qikapicha the child was born. The child's father learned, and the mother is also a bit well-read women. Due to the impact of a good family environment,
Christian Louboutin, Ka Picha studious early age, hobbies. However,
abercrombie and fitch france, the most for his love, or physics.
1912, the Ka Picha was admitted to St. Petersburg Institute of Technology with honors. In 1916, the Soviet physicist 阿勃拉姆费多罗 Popovich should be about the invitation of Professor Fei, Ka Picha entered the Physics Laboratory. His first research work is to pull into a quartz filament. He gave up drawing with the cable model, came up with a unique drawing methods: using the arrow shot from a bow in the drawing.
incredible this way, even people have a sense of child's play: the arrow to open the quartz immersed in the molten dip, and then tighten the bow string, , and finally fell on the floor of the velvet cloth on an arrow in flight away condensation of silk - and test success!
1921, the Ka Picha into the UK's Cavendish Laboratory. He started in the determination of α-particle magnetic moment of work, and ingenuity to design their own high-power generator is to replace the battery. This strange device not only to his colleagues and other scientists to visit the Cambridge left a deep impression. American mathematician Norbert Wiener
wrote in his memoirs: strong current; wire is like a serpent is angry, sizzling sound, ringing squeaked ... ... > Ka Picha in the UK, also spread over such an anecdote:
a factory to repair an engine, please Ka Picha, promise repaired remunerated £ 1,000. He first checked the machine, and then Jiaoren brought a hammer,
abercrombie paris, pick up a hammer to tap the main bearings aligned, the machine will be able to run the. At this time, manufacturers regret: the knock to the value of £ 1,000? Ka Picha said humorously: times to obtain the title of the Soviet Union Hero of Socialist Labor,
chaussure louboutin, 5 received the Order of Lenin. In 1978, at his age of 84, he was awarded the Nobel Prize in Physics.
view in Kapi Cha, physics itself is a great art, has a magical charm. Although his life has been dominated by physics, high status, but this does not prevent him to understand other areas of knowledge, and it is these seemingly insignificant knowledge,
abercrombie and fitch, he had a crucial physics effects.
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."