In my memories

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forget, forget, forget you leave, but only in the memories of that night in search of warmth. Looking back on yesterday, one of a footprint you leave, you leave the sweet smile, you left a trace of warmth.
In my memories, since you moving sound gland that eroded my heart, I indulge in all your years, caught in the vortex of passion, for the first time in his life dreaming of a person, as a tear heart crack lung.
You said: life you want and I can not separate my life will be wrapped around you, follow you afterlife adjourned to the edge. The only way you and I, allowing you to have a girlfriend, but not allowed to split my love. love obsession, I do not put your name in mind, looking forward to inviting a start really, every night,chaussure louboutin pas cher, I carefully visualize your gentle touch of beautiful, thought that the most romantic thing. I have no regrets! memories, lost count of how many sweet, can not remember how many times the warmth, can not remember how many times the passion. We laughed, we cried, we have been there, we loved.
I know, love each other but also to space, but also to love each other breathing space, but also to love each other easily, not suffocating love, as love becomes selfish, become incomprehensible, and the results may break up. But these are also due to love.
In my memories, your brow reveals the mind, there have been signs of love, you end my part of history. When the time slip away quietly in my fingers, I can not accept and you never separated. I think, in addition to your outside, who can I wipe away the tears? Who can give me comfort? Now,polo ralph lauren, in addition to you, I have almost forgotten world.
you will come back?相关的主题文章：


between the action on the heart

克莱斯勒最快将于周一脱离破产保护

not only not afraid of love


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."

. . - Qzone log


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Reprinted from alumni of the user at 17:54 on February 18 2010 read (loading. ..) Comments (0) Category: Personal Essay

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