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Reprinted from 53079236 at 22:52 on September 23, 2010 Reading (loading. ..) Comments (0) Category: Personal Diary
photography, in addition to have a good equipment, good luck, extraordinary patience, the more Marketer excellent photography, photo sharing basic training, basic skills training for the end to provide photographic read the full text.
first unit: photography basic training
training 1, Panorama
subject of Practicing: general landscape, flowers,
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requirements: screen all real focus.
recommendations: first to use wide-angle lens: 24MM-35MM film, aperture: F11-16, Aperture-priority AE mode.
training 2, single-focus exercises
requirements: only focus on the main subject, the shallow depth of field.
recommendations: the telescope head: 85MM or more, aperture F5.6 or larger aperture priority AE mode.
3
training and set-practice
subject: sports items, walking with the car, train, flowing water, waterfalls and so on.
requirements: the subject of intense exercise a moment of action or transient expression recorded.
suggestions: high-speed shutter 1 / 1000 seconds, the shutter speed priority AE mode.
training 4, dynamic exercise
subject: sports items, dynamic people, flowing water, waterfalls and so on.
requirements: athletes and dynamic part of the human body or animal body virtual reality of the virtual background, flowing water, waterfalls, which are a sense of flow lines.
suggestions: Slow Shutter 1 / 15 seconds -11 seconds, start with 1 / 30 second start practicing, and then 1 / 15, 1 / 8, 1 / 4, 1 / 2, 1 second paragraph by paragraph, exercise, use a tripod .
5
training, shooting practice
request: prominent theme, concise picture can convey the atmosphere of the scene being shot, this training is the training base composition chu.
Recommendation: telephoto lens, large aperture.
6
training, close-up exercises
subject: flowers, still life, and insects.
requirements: the ratio of the subject share the screen as large as possible, highlighting the shape of the subject and the interesting part, high-definition.
suggestion: use a macro lens or macro functions and close-up lap, the shortest distance photography, parallel to the lens and the subject, use a tripod and cable release.
7
training, a variety of focal length lens (the lens focal length) used to practice
use of various focal length lens (the lens focal length) for shooting practice, to understand the characteristics of the focal length of each lens, understanding relationship between picture angle and perspective, utilize the different segments of the focal depth of field.
standard lens: the lens focal length of about 50MM - very natural, not exaggerated.
wide-angle lens: the lens focal length less than 35MM - emphasize distance feeling.
telescope Head: 85MM ~ 135MM focal length lens - a perspective closest to the human eye (distance) being able to correctly reflect the shape of the subject, used for portrait photography.
telescope head: more than 200MM lens focal length - rarely a sense of distance, there is compression. (Easy to shake, try using a tripod)
second unit: the screen structure and composition training
Exercise 8, horizontal and vertical bit composition
subject: scenery, mountains and rivers, buildings, people and so on.
requirements: performance and stability with a transverse sense of composition and the broad sense of the performance feeling of depth with the vertical position and height of a sense of composition, the picture is not whether the use of space.
recommendations: 1, respectively, on the same subject with the horizontal and vertical shooting digital mapping method to compare different work experience.
2, transverse stability and sense of composition, performance over the use of standard focus lens, the performance of the broad sense of the use of wide-angle lens.
3, vertical-bit performance feeling of depth and height of a sense of composition, the use of wide-angle lens, close-range and long-term attention to the screen the location of configuration, the composition should pay special attention to horizontal and vertical, using a tripod.
Exercise 9, triangular composition
subject: triangle triangle or similar features, construction, character modeling and so on.
requirements: the use of triangles in different positions in the configuration screen, showing a sense of stability, jump buzz, a high degree of sense and broad sense.
recommendations: 1, screen easy to identify the triangle in shape, the triangle consisting of complex objects, the focus should be implemented, there must be balance.
2, tall and slender high-rise buildings and roads, the scene following the use of 20MM wide-angle lens.
3, using the depth prediction capabilities.
Exercise 10, symmetrical composition
subject: All the symmetric nature of the scene composition, character modeling and architecture.
requirements: use of upper and lower symmetrical composition, performance and stability and surreal sense of mood.
recommendations: 1, choose a beautiful symmetrical shape, the focus should be symmetrical on both sides of reality,
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2, the focus of as much as possible over the standard lens, the use of optical angle lens to the attention of the camera and parallel to the subject.
3, the shore and the water shooting scenes using symmetrical composition polarizer.
4, perfectionist with a small aperture, depth of field had to use a tripod.
11
practice, vertical, horizontal composition
subject: landscape, architecture and so on.
requirements: the performance of the screen by multiple parallel or perpendicular lines consisting of pure beauty.
recommendations: screen composed of horizontal or vertical lines to keep the lines to the United States, horizontal or vertical line shape to be filled with full-screen, use a tripod.
Exercise 12, S-shaped, diagonal composition
subject: with S-shaped or diagonal form of roads, rivers, mountains, bridges and roads within the city and so on.
requirements: performance feeling of depth with the S-shaped, with a slash sense of the performance of the broad outreach and dynamic, S-shaped screen to be accessible at both ends, then cut off the middle of the front should be spaces.
recommendations: S-shaped configuration and have a sense of balance slash, works carefully feeling a sense of whether there is feeling of depth and broad, the subject is clear, subject to outstanding.
Exercise 13, golden section composition
subject: any can
requirements: the subject should be represented at the split point, line or near the composition to balance, subject to outstanding screen presence can not have extra parts.
suggestions: First, the composition according to their own ideas, and then utilize the golden section method.
III: light training 1
Exercise 14, flash exposure compensation
daytime subject: people, flowers, pets, small-scale natural landscapes, still life and other small-scale features close.
requirements: When the above subject is backlit, backlighting and ambient light side is stronger than the subject or the subject in the daytime shade use.
suggestions: metering with flash sync speed (average metering) to obtain the aperture value, and then use the flash's index divided by the aperture to the shooting distance is worth, you can get an accurate picture exposure. For example: the camera's flash synchronization is 1 / 125 second, with the camera's automatic metering obtained F value of 16, the flash index (GN) is 40, that is, 40 ÷ 16 (F) = 2.5M, when the shooting distance 2.5 meters. Known to flash index (GN) and distance requirements aperture (F) divided by the distance when the index obtained by flash aperture (F). Namely: GN ÷ distance = F.
Exercise 15, using the flash reflected three-dimensional works
subject: characters, flowers, pets, still life and so on.
requirements: use an external flash and use the connection to the camera flash away from the ramp above or behind the three-dimensional cast light manufacturing can also be put into the manufacture of the ceiling or the use of reflectors reflect the soft light on the specific methods and the direction of light specific arrangements according to their intent, but to avoid heavy shadows.
advice: try as much as possible, a variety of ways, and exposure compensation for light produced by the three-dimensional feel.
16
practice, indoor and night light photography
subject: indoor lighting assembly and the city lights night scene.
requirements: use of color temperature in the room and the night lamp manufacturing the ########## eye can not see the unique (reddening) atmosphere.
recommendations: screen layout of the light as even as possible, preferably without a strong light source near the lens and can not have light fired into the lens, use a tripod when shooting still life, capturing the best time to use ISO400 film. If you want to be faithful to the works of colors, use color temperature correction filter 80A, the exposure can not have too.
Reference: Color Temperature: sunny day = 5500K, the day cloudy = 6500K, sooner or later = 4500K,
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Session 17, sunrise, sunset, night
subject: sunrise, sunset, mountains, coastlines, natural scenery and night.
Requirements: To fully reflect the atmosphere of day and night, day and night night gorgeous reproduction of scenery, can not have the extra objects into the screen, the best there is no halo of light.
suggestion: use the manual, basically F8 ~ 11 about aperture, AE aperture priority, long-term focus when transferred to infinity, 10M or less to the point light source most likely to see objects on the banana, use a tripod, consider repeated exposure.
Exercise 18,
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subject: snow, white sand beaches, white flowers, white objects.
requirements: a clear reproduction of the white object texture and color.
recommended: proper exposure based on the measured exposure compensation, compensation accounted for under the white object, and the ratio of the screen you want to show works of intent is generally between 0.5 ~ 1.5EV, screen black and white objects when adjusted according to the proportion of each.
IV: light training for 2
Session 19, the backlight (transmission light) of the use of
subject: light exposure from behind the characters, landscapes, flowers, still life, and capture and so on.
requirements: full use of the backlight and the characteristics of manufacturing three-dimensional sense of transparency, attention to the subject and background brightness balance and can not have produced creative intent other than the halo.
suggestion: use the exposure compensation and reflectors, exposure compensation are +0.5, +1.0, +1.5, +2.0 EV, etc., the greater the compensation, the more the subject theme of light, exposure compensation if mishandled , you can take a more segmented compensate taken to ensure success.
Exercise 20, the use of side light
subject: with such a light-related figures, landscapes, flowers, plants, pets and capture.
requirements: fully utilize the shadow effect, so that the screen capture the atmosphere in line with their intention, through practice and improve the sensitivity to light.
suggestions: shoot from the smooth light, side light, oblique light strategy, semi-backlighting, backlit subject in order to observe and note the side light and backlighting to create a sense of the difference between three-dimensional objects, such as using strong side light can shape a man's masculinity, the weak side light to create a gentle woman, the use of hood.
Session 21, the forest point of light and the use of light diarrhea
subject: Optical characteristics of the forest with diarrhea, overcast landscape of the world such as mountains, river and lake waters of the sea and so on.
requirements: full use of points, the characteristics of light diarrhea impressed and moved to create a human atmosphere.
Recommendation: Note the amount of light exposure than the range and mastery of light and shade difference should be appropriate to use spot metering method measured the daylight and the dark after exposure to take the middle value of the final exposure.
22
exercise, the extreme exposure application
subject: want a high-profile performance (shaded light) or low-key performance (large contrast) were taken in all subjects.
requirements: photography and the theme should be clear intent to consider the need for high-profile or low key, the subject of the atmosphere has to be coordinated.
recommendations: a high-profile exposure compensation from 0 to +2.0, low-key from 0 to -2.0 exposure compensation, exposure through the sub-master in a variety of conditions brought about by the effects of exposure compensation.
Exercise 23, the light path
subject: Night mobility vehicles, ships, stars, fireworks and so on.
requirements: fluent performance in light of the flow, the flow lines of light color, shape and size to coordinate with the surrounding atmosphere, exposure should be appropriate.
recommendations: use the central part of the average metering and spot metering mode, you can also set the aperture to F4 or F5.6, exposure 30 seconds to 2 minutes (door B available), fireworks general use ISO100 film, aperture between the F5.6 ~ F11, Star of the exposure time of up to 1 to 2 hours, above all to make a tripod.
Exercise 24, a lighting object
subject: Inner city building lighted at night, and plants.
requirements: viewing angle to reflect the charm of the subject, select the full performance of the exposure atmosphere, the proportion of the main screen to be appropriate.
suggestion: use a tripod, cable release, use the manual mode, B or T gate door, use the exposure compensation +0.5-1.5 EV. Note that when the screen composition of the brightest and darkest parts of some, to avoid significant differences between the brightness, long exposure, loss of attention to legal issues concerning the reciprocal use of wide-angle lens.
Five: emphasis on training in color
practice 25,26,27,28,29,30 respectively red, blue, yellow, green, white, black as the main theme of the performance characteristics of the subject do the exercises.
subject: the various objects with more colors and color the characters dress, flowers and so on.
requirements: to demonstrate one or more distinctive characteristics of color, a good grasp of color, brightness, color saturation, the three elements.
advice: pay attention to the performance of well-being of color, if possible, use filters, the use of wraparound photographic experience, exposure compensation law on the role of color performance.
31
practice, the performance of water clarity
subject: any water-related objects.
requirements: a sense of transparency in the performance of the water at the same time pay attention to the overall performance of the work.
advice: pay attention to the surface reflection, using the PL mirror, PL rotating mirror used to find the best performance.
Exercise 32, the color contrast
subject: contrasting colors doping fields, parks, buildings and so on.
requirements: use of color contrast-enhanced appeal of the work.
advice: Do not make too many colors into the picture, in contrast to the brightness of the color difference, the stronger the greater the contrast, bright colors and eye-catching contrast to the dark is easy, the same color of the real and virtual focus at the focal point for contrast.
Exercise 33, black and white photography
subject: any object, person and so on.
requirements: the relationship between subject and background,
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recommendations: the need to understand the specific color into black and white after the change, both as a thick black to red, yellow, gray as considerations, and understanding of the relationship with the gray scale.
Exercise 34, the performance of a single color
subject: the nature of the Qunsheng plants, large areas of single color flowers, color uniform interior room such as the Office.
requirements: effective use of uniform color, composition, balance, and fully grasp the degree of color shades.
advice: pay attention to color saturation, so that the screen has the color performance of Zhang relaxation, the use of color temperature filter.
Six: the performance of dynamic and emotional training
35
practice, dynamic performance
subject: sports, animals, celebrations, flowers, rivers and so on.
requirements: the full record and the performance of moving objects or people, showing the movement of the power and dynamic sense of beauty, reasonable composition, control the scene for the subject and press the shutter timing of the shutter.
Recommendation: If possible, try to use the shutter priority mode, fixed the use of high speed shutter speed 1/500-1/1000 seconds, showing the use of 1/15-1/4 second sense of movement, recovery may take Use 1 / 15 or 1 / 30 sec.
Exercise 36, telepresence performance
subject: fire and accident scene, and the festival activities, ceremonies, natural weather conditions.
requirements: as far as possible the performance of telepresence, immersive, even the more mundane subject, but also use technology and equipment to create a presence.
recommendations: the subject as close as possible the use of ultra wide-angle or telephoto lens, the aperture using the F11, F16, F22 seeking large depth of field. Performance of the natural weather conditions such as typhoons, heavy rain, fog, jet using a tripod, shutter 1 / 8, 1 / 4, 1 / 2 second priority, and use the surround-style shooting method.
Exercise 37, still a sense of performance
subject: natural scenery.
requirements: to be quiet and secure their own photographer to choose the best shooting time and weather, select the static stability of simple and easy to convey a sense of the picture composition.
recommendations: take time for the best at dawn, dusk, moon night, rain, fog, snow and so on. Choose symmetrical, triangular and so increase the quiet sense of composition to smooth vertical and horizontal, there can be tilted in order to emphasize a sense of focus and sense of stability, using a tripod.
38
exercise, emotional performance
subject: people,
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requirements: informed by the best shutter time, to do with the heart of the subject person or animal being the same, except the face outside the body should also pay attention to the performance of others is consistent with the theme, pay attention to all the details of the composition.
suggestion: start with the people around children and pets in particular, began to practice, usually a lot of attention to them (their) emotions, and find interesting features, and then use a telephoto lens to be taken in person or animal not pay attention capture time, began to practice to make full use automatic mode.
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