not quietly leave

Editor's note: Although Acacia is disaster, I was willing to believe fairy tales, convinced that there must be a person in this world and you stubbornly persists, dependent life and death, pain, pain with you, thinking you want, good for you good, not quietly leave, will not abandon you in the vast sea, leaving vast and heartache; students to each other, hand in hand! Traces of tears on the eve of a wave of emotion swept along with that dream in the morning breeze wandering, how many dreams so the wind, never again. Only when I wake up, can not hide the tears tell the sad face in the sun pretending to smile, I know the only way to deceive themselves, will not play because of pain and then a dream, everything like that go down the drain like the passage, just do not know that would be your smile, my unwilling, or unable to restore yesterday, and then the next night I do not sleep, do not let the tears of their own that morning.
hair with flowers, cotton Italy, is to spend the sweet words you left in my heart, I feel that the world's most beautiful,polo ralph lauren discount, like listening to the sound depends on the day, your eyes not with the kind of spy The mysterious, so I look forward to the next time you give me about the secret secret. Italian cotton wind does not trace the moment, but why letting the arrival of dying in the blink of an eye,moncler femme, I love the smell of flowers that drunk, would forget the enchanted, the moment when you become is a mystery even to their own doubts, all this really had a presence, the feeling of a smile when the only close your eyes, have had to lie to their existence. Enriching the soil after the rain
Xiao where and how much love in this passage of non-interest bearing, do not know the rain Xiaoru thin, willow float between the shuttle in mind in the beautiful, with the rain falling in the deep Chunni , rain sunshine,abercrombie & fitch, only to leave that piece of the green off the red residue, remaining in that can not be erased from memory, looking up with a head that the sky, how many more dreams of a relationship with this blue. Close your eyes want to fight back a little taste of happiness, Listen to the voices in the wind, there are reminders, to break the quiet tears and uncontrolled crossed out, the wind in the echo of the original which is so sad that at the grievance.
broken glass bottles of love, heartbreak can not seam to people, whether it was you or me, how can you bear such a bear abandoned righteousness, so painful piercing like over and over again over again. Desperate to break the meaning is not the slightest warmth lingering, do not love is such a cruel ending,moncler homme, so everything becomes a tragedy such as Hurricane Katrina hit had let the pain out of control, no longer spend the aftertaste from the beautiful .
that past as mist in my eyes, memory clear a moment later as the haze in the eyes become, once the heart of even love, love this feeling, with no coagulation, Everlasting like the sea, passion not forget that charming lips. We love to each other is because there exists in each other all the time, such as the wind to take it open, flavor like the sea, then the United States today when the sun, the wind not to spend is not open, except for left fragments like memories, the only Xiangsichengzai.
do not believe that such expectations will not come back, I did not always white in the night when Weiyang days, waiting for that wind hair, month Ying Yan, into the semi-dream while pregnant with temperature,doudoune moncler pas cher, so that the love of vigorous re-weight to , and then fell in love with you spend just as during the initial period that the earth is so, so even affect the heart to heart and then concentrated as the sea, even if unfinished monologue that Love is only in the heart, and no guess as long as it Everlasting, beauty is all lazy and could not let it become a disaster of Acacia.相关的主题文章：


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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."