youth touch memory

(Editor: sammy)

He is my best female friends, in fact,abercrombie & fitch, even more than friends Well, we know each other very transparent. But love is love, friendship is friendship, then we became best friends, each want them to find the ultimate happiness, but he was going to be married, than I had found the other side, his family and other family members are agreed, he always asked me marry him and that girl will not be happy, and I advised him in addition to his marriage, what else to say, I was friends with him, nothing between us apart from friendship to give, since he found a love to his girl, the married. Youth is the memories he gave me, especially a sudden end this marriage,moncler homme, but as a friend really wish him happiness.

remember? I once said that we are the best of the opposite ######! This sentence, I think for a long time, but also moved a long time.

meet you, by chance, perhaps inevitable. Casual review of the chat when bored, a few small easy Well, suddenly thrust found in the emotion of thinking, we actually have a lot of similarities with the tacit understanding, a lot of time, often as a simple topic, but was that we came up with a and a fun story. This is a very long time, we have become best friends. Years to come, we might more discussion of marriage and the value of life, meaning, talk to the freeze-frame the meaning of happiness. Gestures, we have expressed what a lot of themselves and other people's stories, we often do not to smile. But, gradually, the heart, not fortified. Heard the opposite ###### can be done between the defenseless, not mere friendship, at first, very disagree, but now believed also to do so. You said with a smile, when you can find a boyfriend, is not ready when the nun, I would like to tell you the story of me and my boyfriend, because I speak on this issue too little, almost nothing. I chuckle to say. Know, maybe you this not deliberately, but I have to re-examine and organize the study think that looks weird, but it seems very natural. But I still talk about you a lot of these stories.

Buddha's past lives and the five hundred times Looking back, only in exchange for this life pass by. We can meet, acquaintance,louboutin pas cher, intimate friend, do not know our past lives, there have been persistent and recurrent how! Really curious ah! But one always inextricably answer!

remember us silly thing? I remember the urge to do some of ignorance? Then there is young and pure pay? Oh, the memories left behind too much, too many words spoken, and now you're getting married, but do not Zhongseqingyou ah, this is not right, and his wife important, friends are not missing ~ ~ ~ ~ Oh ,doudoune moncler, bless you, happiness, happy,Christian Louboutin, always. Do not forget to let me see ah when the wedding! Hee hee ~~~~~~

want to say too much, do not know how to say, remember that word, what friends are still there.
TAG tags: youth touch memory

相关的主题文章：


欧宝并购案即将揭晓谜底

consuming

江苏新增418亿“医改基金”向三大板块倾斜


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."