Editor's note: Man does not live for heart desires, but the pursuit and ideals, watching from the text, you still young, so that negative thinking is unacceptable. Have a healthy, motivated, why can not survive. The door to know the community is open to everyone. A man lying on the edge of the bed side, muffled smoking a cigarette, one sticking out a mouthful of smoke ring irregular. Hands tightly holding cell phone, but do not know in the end want to do something, call it! But do not know who to fight, I do not know from the start When did I find his melancholy, a melancholy aside all life.
mobile phone book is empty, without any friends links. I alone can give her space, a comfortable lie a lie, there is no outside noise interference; quietly overlooking the horizon Hongxia, feel that the unique tranquility. Clear insight into the mood at the moment I do not know how suddenly sprouted alone, it is a long time never had a special feeling, perhaps, is the right time I end this self-enclosed living!
bring good news to hear friends, share with each other, happy hip-hop boast about; listen to friends talk about life under the flow, and share the brotherhood under the care of each other.
time unsparing, a casual, we are from ignorant boy walked into the agitated youth,
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people's brains become heavier,
polo ralph lauren discount, the reality of the evolution of society; the human condition, severe, or caused by the evolution of social reality. Really do not know which day would suddenly evolve the plight of adult eating? Fall is also the part of helpless ah! Whether and to what extent the evolution of man must go forward, even if it resorted to a means, but also support for a full meal his stomach; to stop living with their own little space, they have to do! What sub-Day? What ethics? What is human nature? Hungry, in order to fill, but also conscience of the tube you are! ? This is the current situation.
the financial turmoil of the messy,
moncler pas cher, fierce price increases; human resource capacity; the demand for exports gradually shrank; corporate bankruptcy due to sluggish sales; stock market
weakening of the economy, but the rapid growth of population. Although the national leaders do everything in exposing the formulation of strategy; assistance to come forward to speak strongly, but who would believe that a developing country's economy in one day two days time the resurrection! ? It is the cyclical nature of the long ... ...
imagine people living in the world, not just to do three meals a day for food and clothing? If even food and clothing are not resolved,
abercrombie paris, talk about human nature? What about Thanksgiving? Without any hope of the sun tomorrow, why should we talk about seeking the ideal? About seeking to pursue ... ...
forget it! We are the future of their own to fight for is not that little bit of their inner desires it?
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
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