I decided to give their own sense of security

Occasionally, a walk to the train station after dinner, only to find this side of the station house more lively than before, built a high-rise buildings around the railway station also installed a large screen, showing every day and night of the film and advertising , there are a variety of small things to sell, and even into the night market, at night,abercrombie and fitch paris, everyone will walk here, or sit and chat, watch movies, or enjoy the beautiful night, there Yangko, the drums hit the ring broken days, there are dance fitness dance, we do not know whether knowledge will not jump jump, are involved in, the music is very beautiful, people are friendly smile,polo ralph lauren discount, into which a great sport. I love this scene, I found a place to sit down and enjoy the quiet and peaceful blowing.

After a while, a girl walked in front of me, I took my water bottle and bags, face some frustration, it is clear from this scene is not gregarious, and finally, she chose a corner and sat down, looking with this lively scene, eyes some slack.

Suddenly, my mind is fixed, take me back to freshman year.

that time, a person to the city shopping, wandered the dark, a little tired, so in the square opposite the railway station and sat down, the scene is brightly lit and placed music on the square, looking at pairs of people in the square through, it seems a hurry, I think they must be going home now, and it seems to me even more sad because it lighted a lamp but not for me light ... ...

also from that time on, I decided to give their own sense of security, allow yourself to become more and more strong, but also vowed to foot in Dalian city unchanging,abercrombie paris, so that cities accepted me.

and now seems to have got used to living in the city, at least see the Dalian train station every time the word will not be sad. And that something was my fate again to Beijing, but also a strange city, but also need time to integrate into it, accept it.

I think life is so, and I would be into a lot of rivers in the river, leaving some kind of emotional volatility, and this volatility is the perception, from perception of life. And I will not always alone, because I the river, eventually into the sea, at that time, I can, and their favorite river together,moncler pas cher, never apart. Therefore, I will speed up the speed,Christian Louboutin pas cher, courage, Liu Yong Jin!相关的主题文章：


此刻的你也许早已进入梦乡

亲爱的，别走

当领导的要是没有原则的话


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."