Night ,
beats by dre, really beautiful? Good night to go see the CN Tower to the lake to watch the sunrise ..... recently a little distracted .... do not know the way in which I can not find a good position uncomfortable ... can not always tell myself each time so they can continue to foolishly silly mom .... I want to grandfather the grandmother ..... ..... I think all of the loved ones ... a person
night ,
monster beats, really beautiful you ?
good to go see the CN Tower at night
go to the lake to watch the sunrise .....
recently a little distracted ....
do not know the way in which
I can not find positioning
a pain ... always told myself not so down
each time,
abercrombie, and foolishly foolishly
mother .... I wish my grandmother had . .... ..... I think my grandfather had all my family ...
a person accustomed to at home .... do not be afraid of the
miss my grandfather in the days
grandfather to accompany the number of stars at night ....
had previously been thought
remember the last Mid-Autumn Festival to eat moon cake to view the moon with the jokes
so happy so happy ,
franklin & marshall, but those days will return it ?
this year's Mid-Autumn Festival that own one too ,
franklin et marshall, right
the first time at home alone for so long
but it is still a bit small to admire their own
I really miss my grandmother and mother do the cooking ah
night sleep ... may be home to sleep after work to 9 are sleeping the sleep over
how long the night ah ..
half past four the blink of an eye you can see the sunrise ?..
who can take me to see at night ?
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LOS ANGELES - So much for the 2011 Toronto International Film Festival being a slow one for sales. After almost a week of slugging activity on the acquisition front, a slew of announcements came out on Wednesday.
In the last one of the day, Cohen MediaGroup bought U.S. rights to Luc Besson's "The Lady," with its awards-potential performances from Michelle Yeoh and David Thewlis.
Prior to that, IFC added Lynne Shelton's "Your Sister's Sister" and Abel Ferrara's "4:44 Last Day on Earth" to a TIFF slate that already included "The Incident."
Earlier in the day, Oscilloscope acquired North American distribution for Andrea Arnold's "Wuthering Heights," while Palisades Tartan acquired the rights to Jafar Panahi's and Mojtaba Mirtahmasb's "This Is Not a Film," which was covertly filmed after Panahi was arrested and barred from making films by the Iranian government.
MPI Media Group picked up "Yelling to the Sky," with Gabourey Sidibe and Zoe Kravitz. When it comes to public screenings, most of the highest-profile films have already debuted. Wednesday saw the first public TIFF screenings of the Duplass brothers' "Jeff, Who Lives at Home," which has been well-received, as well as Joel Schumacher's "Trespass," Julia Leigh's "Sleeping Beauty" and Canadian director Ken Scott's "Starbuck."
In some ways, Steve McQueen's ######ually explicit "Shame" continues to be the talk of the festival, prompting a spirited Twitter exchange on Wednesday between pundits David Poland, Kris Tapley, Scott Feinberg, Brad Brevet and Garth Franklin over whether the film implies that the brother and sister played by Michael Fassbender and Carey Mulligan ever had ######.
Another "Shame" note: Anthony Kaufman reported that a female patron sitting in front of him passed out during a graphic scene (but not a ######ual one) late in the movie.
"I can't imagine Fox Searchlight, the company that announced its acquisition of the film over the weekend, were aware that the film could make viewers pass out," wrote Kaufman at indieWIRE. "Let's hope it doesn't stop them from mounting a vigorous release of this stunning film."
Searchlight executives probably had a flashback at the "Shame" screening, since they experienced so many faintings with "127 Hours" last year that the sideshow threatened to take away attention from the quality of the film. But they should be safer this time around; "Shame" seems likely to prompt lots of controversy, but not many fainters.
According to indieWIRE's criticWIRE feature, incidentally, "Shame" has received the most positive reviews of any film in Toronto. The site tallies letter grades from dozens of critics and will publish a full rundown of TIFF grades at the end of the festival - but now that the festival is in the homestretch, they've published a preview of which films are doing best, and Peter Knegt says that "Shame" is at the top of the list.